What is that. On the table. And the wall.
Why did no one tell me about this.
OH MAN OH MAN
i seem to be lacking my usual attention to detail here
what is the freaking out about? i can’t see it.
me neither.
it’s the gravity gun and HEV charger from half-life
meaning black mesa not only steals aperture tech but aperture steals black mesa tech
it’s super cute if you ask me pff
Is it possible for me to ship two rival science facilities is that a thing I can do
let’s not forget that “Blaperture Mesa” is multiverse canon :P
/cries loudly/
i had a fever/migrane induced dream about a HLxPortal game that i was playing and simultaneously being a character in it too?? And these guys looked sorta like this so I figured I could draw that … haha
Throughout the game, before, during, and after Wheatley’s betrayal, she refers to him as Chell’s “friend” un-ironically, genuinely believing them to be friends, despite everything that happens. Of particular note is the moment when she asks Chell “is it all right if I kill him” in a manner that comes across as if she doesn’t expect Chell to actually say “yes”. Even though he’s just tried to kill her, GLaDOS honestly thinks Chell still cares for him. When she asks Chell if she likes revenge it again comes across as if she doesn’t expect Chell to hate him as much as she should. Then there’s the moment during the co-op campaign when GLaDOS tells the bots that their friendship is second only Chell and Wheatley’s. She admits this only after giving up on trying to turn them against each other. Not only does GLaDOS give the bots SECOND PLACE after FAILING to turn them on each other, but her whole motivation to try and drive them apart seems to stem from a genuine fear, rather than simple sadism. When she notices them getting closer she says “I’m not sure I like that” and after she concedes defeat she remarks that the bots are too stupid to understand the concept of betrayal. All along she was afraid that their bond would trump their fear of her, just like Chell and Wheatley’s did.
GLaDOS is a bit like Azula from Avatar; she rules through fear because she knows that self-preservation is usually the highest priority for any sentient being. So when someone comes along and challenges her despite being well aware of the standing threat of death to all who would defy her, it scares her because suddenly she doesn’t have complete control over the situation. And until Wheatley, nothing like that ever happened. The bots all knew their place and valued themselves more than any smelly humans. Then Wheatley came along and found SOMETHING, maybe not love, but nonetheless something more important to him than avoiding her wrath and GLaDOS had no way to deal with it other than death traps that he and the mute lunatic kept escaping. And that scared the crap out of her. Getting killed by Chell once was one thing. But with a bot on her side she not only escaped several traps that would’ve been impossible without Wheatley’s help, but navigated through the facility to her lair in record time, disabling her defenses along the way, and put her in a completely helpless position, something she never wants to experience again.
That’s why she ejected Wheatley into space instead of torturing him, or handing him over to Chell to punish. She firmly believed that whatever bond Wheatley had with Chell, if it was stronger than his fear of her, than it was strong enough to overcome his betrayal, and she couldn’t risk letting them reconcile and become an unstoppable, murderous, facility-destroying duo she can’t defend against.
-randomjayne
Aperture: Shadows is out! Like, share, and fav to show your love for everyone’s favorite surviving schizophrenic scientist & subscribe to Synthetic PictureHaus for more Portal-y goodness.
/failing everywhere/
New Portal song! ‘Dumb Ways To Die’! =)
Reblogging to listen to later!
Am I doing this right
Rick them yeah lil lady dun worry if you want i’ll take over the 7 year olds and teach them how to go out and kill for the first time
but seriously though i’ll probably teach my class how to get out of wrist grabs tomorrow and smash faces in with their chubby elbows bless their little snot receptacles
gOOD LUCK WITH THE LIL MUNCHKINS
(Source: cakeybots)
APERTURE SCIENCE BAGPIPE INITIATIVE
I went to a Scottish Heritage festival and all I could think of was this for some reason.
Let’s try to ignore the atrocious coloring/lineart, shall we? Yes.
I regret this already lolYES
potados on the babpipes though
yo something I did in animation class. (provided the link works)
An animated 1950’s Aperture Science logo as part of an assessment.Its pretty much a frame by frame animation to a point.
Enjoip. Be sure to leave a like.
“If we’re going to explode, let’s at least explode with some dignity.”
Their company goes bankrupt and faces nation-wide scandal, but does she give up?
Her boss gets sick and she has to watch him waste away in a slow, painful, inevitable death, but does she give up?
She’s left to keep Aperture afloat all on her own, but does she give up?
No.
Then after the transfer she’s at the mercy of the scientists, treated as nothing more than a lab experiment, endlessly tortured, but does she give up?
Once she’s alone and in control she could let the building rust away, but does she give up?
And then some moron rips her from her body, steals her facility, and tosses her aside with nothing to work with but a potato battery — but does she give up?
“If we’re going to explode, let’s at least explode with some dignity.”
FUCHSIAMAE NO
i did not see this until right now
my heart
let us talk calmly and be friends
lets share things we like and try new things
take chances and experiment
fandoms are for fun
sometimes it can be not fun if there is lack of feedback
or if the fandom has nothing to do with the source material
please understand that everyone is trying to have fun
and please help maximize each other’s fun if you have the time
and please remember
Looking for concept art? Just look here
Aperture R&D Episode 4 fresh off the assembly line!